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A REPUTATION FOR EXCELLENCE
A History of the Edinburgh Printing Industry




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Decline and Development

Neill & Co. moved from their old, cramped quar-ters at Old Fishmarket Close to the new spacious Bellevue works at Canonmills in 1898, becoming near neighbours to Morrison & Gibb who were based at Tanfield. When the Bellevue works were destroyed by fire in 1916, Neill & Co. moved to Ballantyne’s old factory at Causewayside which had become vacant when Ballantyne’s merged with a London company earlier that year. Neill’s further expanded in 1935 when they bought the Riverside printing company.

In 1930, against the general trend of the times, T. & A. Constable moved into new, enlarged premises at Hopetoun Street.
In many ways the story of Morrison & Gibb is very similar to that of Neil! & Co.: in 1896 they amalgamated with the firm of Scott & Fergusson, a process they repeated three years after their centenary (1928) when they took over the even older firm of W. & A. K Johnston and again in 1932 when they took over Mould & Tod Ltd. This last expansion was accompanied by the erection of a large new building adjacent to the Tanfield works forming a two-acre site within which all of the stages in the production of a book could be carried out from typesetting to binding.
Among all of these changes, however, something of the ‘Edinburgh Tradition’ of high quality work and a particularly close relationship with the author did survive: R & R Clark maintained a long and happy relationship with George Bernard Shaw from 1898 until his death in 1950.

In 1946, when he was approached by Penguin for permission to publish a series of ten of his plays, Shaw stipulated one condition: that ‘Clarks of Edinburgh must do the printing.’ One hundred thousand copies of each were produced in record time:

The ending of the Second World War did not herald a quick return to normality for Edinburgh printing houses, largely because of the continuing shortages of raw materials. Apart from the economy war-time restrictions which continued for some years, returning servicemen found little had changed and there were certainly few, if any, signs of the tremendous technological developments which lay ahead. Monotype composition and letterpress printing were the main processes for bookwork and commercial houses, with offset printing largely confined to map printing and a small number of commercial houses
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Reputation Edinburgh

Volume 1, published 1990
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You can contact the Trust at b.clegg@scottishprintarchive.org